I do feel the need to explain. For those die hard art fans out there, it is simply my own opinion and fighting my own inner thoughts why I had no desire to go and see Salvador Dali’s work whilst I was in Barcelona. You see, I have never felt entirely comfortable with what little of his work that I have seen. My mother said it quite succinctly “Well, he was totally mad!” and thankfully she didn’t want to go either. I know there are lots of “mad” people out there who are great artists, however I have always felt more than slightly uncomfortable with his work. Yes, he was probably a genius. But very little of what I have seen makes me want to see more.
The same could certainly not be said for Antoni Gaudi.
Although I only recently came across his work, I have an absolute thirst to find more of it, he was brilliant in his architecture. I don’t know what it is about it, but I am in awe of the colours, textures and patterns and the skills that were used. It was a later arrival to my Barcelona wishlist, once I knew that I was going there and I certainly did not want to leave without visiting at least one of his projects.
Casa Batllo, on the Passieg de Gracia was the place we settled upon visiting whilst we were there. Well it had to be once I saw the front window alone. It’s curves and frontage pleading me to venture there and see what else it would show me, I was little prepared for it and as it turned out we were in for one of the biggest surprises of our trip. I walked around the place in absolute awe, listening to the pre-recorded tour, eyes wide from what I was seeing and was totally besotted with the house. Mr Josep Batllo was a very lucky man to live and work there and commissioned Antoni Gaudi in 1904 as architect to create a fine home for his family. In 1906 it was completed and over 100 years later, it is a celebrated Unesco world heritage site, which is privately owned and the upkeep and restorations now financed by the admission fees.
I can quite honestly say that I have never experienced anything like it before. My eyes were drawn to the colours, the shapes and wondering how on earth they managed to do it all.
I probably took about 300 photographs whilst I was in that building, possibly even more. I could easily split them into monochrome and colour sections but I will not, I think there will be some stills and also a slideshow for here. There was so much to see, a glorious assault upon the senses, which left me dizzy and eager to see what was around the next corner, or in the next room. I adore the place and have happily dreamed of living in a building like that, if only I were lucky enough to do so.
The sitting room holds the most beautiful windows I have ever seen. Being very keen on architecture this is quite an achievement and deservedly so. The large bay windows are cavernous and have stained glass sections in multiple shades all around the top, as have the doors within this section of the house. It is simply breathtaking to see it for the first time and my photographs do not do it justice.
We walked around the house loving the design, it was a touchy feely building, your hands are drawn to the curves everywhere and the warmth created by the honeyed tones of the wooden fittings I think that this place brings a whole new meaning to the term “love handles” here are just a few of them here and they were exquisite.
The handrails of the stairs strong yet smooth where possibly millions of people have done the very same thing grabbbed the rail in eagerness to see what is next.
This is a place to reawaken your creativity. It is exciting, both in it’s form and humour. Likened to a dragon, it is a great beast of a building, fascinating and makes wonderful use of my favourite colour throughout.
The light well is central to the building and which houses the entrances to the various apartments, the staircase and elevator is something to behold and the colour blue deepens the higher you climb, being the darkest at the roof. It occurred to me that it must hold every shade of the spectrum in that one building.
If you like ceramics or glass in any form then you will probably love this place after all, What’s not to love?
As the tour continued upwards throughout the building, I felt that the clever architect brought a new feeling of calm as I walked through the rooms.
The staircases, the curves in attic bedrooms of the servants quarters were welcoming and I think at the end of a long day, I would feel safe and secure being looked after within it’s walls. Everywhere we went, the light was wonderful and so cleverly used throughout. There was no dark cramped attic rooms in here, they were white and bright and yet had such softness, it must have been the curves and the clever touches throughout for storage. Not as flamboyant or colourful as the main quarters but just as lovely.
The sunny terraces were at the rear of the building and up on the roof. I remarked upon the similarities to the enamelled ceramic colourful plaques in the rear garden and the artwork that my mother had produced years earlier in art college. She said that at the time, she had no idea as to what was possible and this had opened her eyes to it. I have quietly hankered after one day owning a particular piece of her pottery from that era. The rooftop also housed the highly decorated chimneys and the amazing roof which curled around the front of the building like a sleeping dragon its multicoloured scales at the front.
I think that my hardest task was to capture photographs without people walking across them. But I have to say the other visitors were very accommodating and would wait if you were poised for a shot. All these photographs I took on the iPhone I will ensure that next time I travel I will take a battery bank or two as my only complaint was that it ran out on me too early in the day. I decided to purchase a book, it was not hugely expensive and the photography was lovely. It also gave a potted history of the house which I could show my partner upon returning home.
We walked out late afternoon elated from the experience, so pleased that we had been able to see it on our last day, the sunlight on the building casting yet more glorious shadows upon its curvaceous form. I felt that if God took me now, then I would die with a smile on my face feeling as though I’d lived and grateful for the experience.
The Daily Post – Interior